X-Rated: The Greatest Adult Films of All Time

Some of the greatest adult legends of all time and some of the best X rated films of all time!!

Playing on Showtime :


Is it the best documentary ever made on the topic, NO.

Is it a great documentary, NO.

Are these really the best adult films of all time, NO.

BUT, it is a good documentary. And yes, some of these films are very famous. For those of us who are not die hard fans or do not work in and around the adult biz, this is sometimes the closest that many people will ever come to being exposed to a world that so many of us love and find to be normal. It is generally a good thing, when a taboo oriented topic can be so easily accessible with a cable service. Whenever networks like HBO and SHOWTIME are able to obtain  sex oriented programming something magical happens, for when the logos of these big networks show up at the bottom of  an episode it is magical, as if the footage is now safe and cool to view by millions and they get great ratings. Sex sells, it always will sell, and these networks know it, and at the same time, they can’t become the next playboy channel, or they would lose all their subscriptions, and have picket lines outside their headquarters.LOL!

I am happy to have been a part of this doc and it was an honor to work on it.  Congrats to Showtime on the success and Plausible Films, the show’s producer for being able to create this on such a short time frame and budget. As for the actual show, I am much more partial to the first 25 minutes, as the classic stuff is what interests me most. Four films from the Distribpix Archive were featured, The Opening of Misty Beethoven, Barbara Broadcast, Roommates and Blonde Ambition. To be able to see some of these films and figures get the broad exposure that they so deserve, is amazing.

Blogs, Forums, and Social Networks are a great way to keep the genre alive. But to bring these niche into millions of viewers living rooms via cable network is bigger than big, it is HUGE. Along with footage I licensed for the show, I produced 2 interviews as well. One was with Gloria Leonard( her last video interview) and one with Constance Money(her first video interview), with special thanks to Lisa Petrucci and Something Weird Video, who were the most gracious hosts. I must say the best thing is the exposure, as since the show aired, sales of the featured titles are off the charts. I just goes to show what I already knew, this is the kind of exposure this niche needs!

Both of these interviews will be available as extras on upcoming Distribpix releases and via the web as special video features. I look forward to working with Showtime and Plausible Films again in the near future.



Constance Money ( Susan Jensen). Interview July 1,2014. On Location in Seattle Washington. Her first ever recorded interview.

Constance Money ( Susan Jensen). Interview July 1,2014. On Location in Seattle Washington. Her first ever recorded interview.

Gloria Leonard Interview. On Location, Kona Hawaii, 2012.

Gloria Leonard Interview. On Location, Kona Hawaii, 2012.



The Billy Bagg Double Feature: The Adult Films of Bill Lustig


The Billy Bagg Double Feature (The Violation of Claudia/Hot Honey),presented by Distribpix Inc. will be the first DVD package of the Sweetheart Theatres DVD line, a line which celebrates the erotic films and cinemas that operated under the Sweetheart Theatre umbrella. This first double feature installment, takes us back to the Word Theater, for a WORLD PREMIERE of both titles, one took placed in 1977, the other in 1978.

Before he became one of the most famous and important horror filmmakers of the 1980s, Bill Lustig(Manic Cop, Vigilante) directed these two X rated oddities. Both films have been newly restored in 2K from their original negatives and each audio commentary with Bill Lustig is moderated by Danishfilm director, Nicolas Winding Refn (Drive, Only God Forgives, Valhalla Rising, Bronson).

The package will be available for pre-order next week, August 25th, 2014. The product may even ship as early as next week, as well.

In THE VIOLATION OF CLAUDIA (1977), the incredible Sharon Mitchell stars as Claudia, a beautiful, wealthy housewife who enters the seedy and bizarre world of prostitution with the help of her manipulative tennis coach (Jamie Gillis).Also starring Crystal Sync, Long Jeane Silvers and Don Peterson.(63min)

BONUS FEATURES: •Director Commentary with Bill Lustig and filmmaker Nicolas Winding Refn •Original Theatrical Trailer (Hot Version) •Sildeshow & Ephemera Gallery ______________________________________________

In HOT HONEY (1978), young Honey (Heather Young) refuses to put out for her boyfriend,preferring to tend for her wheelchair bound brother (Jamie Gillis). But soon, Honey begins a strange sexual awakening, seducing men and women alike! Co-starring Serenaand Robin Byrd.(71 min)

BONUS FEATURES: •Director Commentary with Bill Lustig and filmmaker Nicolas Winding Refn •Original Theatrical Trailer (Cool Version) •Bonus Podcast with Bill Lustig




Classic NYC Erotica on 35mm at Anthology Film Archives

In the Flesh at Anthology Film Archives Dec 5-Dec 8, 2013 at 8 pm.

In less than 48 hours Anthology Film Archives  in NYC, will be hosting In the Flesh, a film series which focuses on classic erotic films from the golden age. Curated and organized by film historian, Casey Scott, this is the first run of the series and it is certainly going off with a BANG! The series is scheduled to be 4 nights, 4 films ( one each night), and each night will have at least one or more guests that will help to give the film some historical context. The four films chosen are all East Coast films and all from the Distribpix Archives, and each one is as good as the next. Each night will also have some very entertaining 35 mm trailers from the Distribpix vault.

Lobby Posters at Anthology Film Archives.

Lobby Posters at Anthology Film Archives.

The series is beginning with a very strong line up of NYC staples: High Rise with Music Composer Jack Urbont in person, Through The Looking Glass with director Jonas Middleton in person, Take Off with set photographer Larry Revene in person, Wanda Whips Wall Street with director Larry Revene in person, special guest Scott Baker and mystery guests as well. The guest will be introducing each film and will also be on hand to participate in Q/A session to follow each film. There will also be some fun trivia for prizes, which include DVD’s, posters, press books and more.

It is going to be a very special series and I am very happy to be involved. It is obvious that general interest in classic erotic cinema has been on the rise in recent years. Retro as a whole has made a huge comeback since 2010, but there is no doubt in my mind that the dedication to preserving the films in High Definition and bringing them back to life has fueled the resurgence. Running a film archive is a non stop job and it can be very tedious, so to be able to see these on the big screen is a huge reward.

There have been many email responses to the series and we expect to have a wonderful mix of fans and experts at the theater during the screenings. I have a feeling that it is going to be a very special series and I really hope to see you there.


DEC 5th – HIGH RISE, 1973 directed by DANNY STEINMANN:

Hailing from a show business family background, Danny Steinmann started his directorial career shooting commercials in Puerto Rico and soon returned to New York, where he continued successfully producing, directing, and editing toy commercials. Seeing the success of Gerard Damiano’s Deep Throat in 1972, Steinmann decided to attempt to make his own profitable adult film, resulting in High Rise, now considered the first comic masterpiece of the X-rated genre. For a first time director, High Rise is an impressive debut, filled with visually stylish flourishes and clever comic scenarios. The film’s success, however, did not lead to further ventures in the hardcore realm. In fact, Steinmann would not return to the director’s chair until 1981, when he helmed the sleeper horror classic The Unseen. Its success led to the two most famous films of his career, Savage Streets (1984) and Friday the 13th Part V: A New Beginning (1985). To his dismay, the horror sequel would be his last film as a director. Steinmann was finally receiving his due credit as a director and connecting with his fans at film conventions when his life was unexpectedly cut short in 2012.

High Rise Movie Poster at Anthology Film Archives, facing 2nd avenue.

High Rise Movie Poster at Anthology Film Archives, facing 2nd avenue.

Dec 6 – Through The Looking Glass, 1976 directed by JONAS MIDDLETON:

Hailing from the great state of Georgia, Jonas Middleton made one great big, but brief, splash in the adult film genre of the 1970s. Following his low-budget debut, Cherry Blossom (1972), Middleton’s next film, Illusions of a Lady (1974), hinted at the director’s storytelling talents that would be demonstrated in full force with his final and best X-rated film, Through the Looking Glass (1976). The worldwide success of the film did not interest him in continuing to make adult films. His next film project, the sleeper horror hit Just Before Dawn, would be his last before moving into the world of finance for much of the 1980s. Middleton returned to the entertainment industry in 1994, when he began producing instructional videos, and in 2000 he successfully entered the video game business. Today Middleton continues to produce thought-provoking independent features.


Cherry Blossom and Through The Looking Glass, directed by Jonas Middleton

Dec 7 – Take Off, 1975 directed by ARMAND WESTON:

A director who came to the film world from a background in commercial illustrating and artwork, Armand Weston is one of the adult genre’s legendary auteurs with the smallest oeuvre. All of his films are established classics, from his very first collaboration with future fellow legend Cecil Howard (1972’s Personals) and continuing into his dark noir-ish thrillers, The Defiance of Good (1974), The Taking of Christina (1975), and Expose Me, Lovely (1976). Weston was also the first director to shoot a feature directly onto the new video format with 1977’s Blue Voodoo. But his most lavish and arguably finest adult film must be his swan song to the genre, Take Off (1978), a sprawling epic following the sexual adventures of Darrin Blue, who stays forever young through the magic of an enchanted stag reel. When he wasn’t making films, Weston was designing the beautiful and eye-catching poster art and ad campaigns for the adult film classics of his contemporaries. He made one more film, the unusual horror film The Nesting (1981) with Gloria Grahame, before his untimely death in 1988.

The Nesting, Oil on Canvas, by Armand Weston.

The Nesting, Oil on Canvas, by Armand Weston.

Dec 8 – Wanda Whips Wall Street, 1984 directed by LARRY REVENE:

A true jack of all trades, Larry Revene started his career at the very beginning of the “golden age” of adult cinema and continued to its eventual conclusion with the onset of video production. Revene got his feet wet shooting loops for notorious producer Bob Wolf and was soon serving as photographer and editor for a variety of projects in both the X-rated and commercial industries throughout New York City. He developed a reputation as one of the most talented and visually inventive photographers in the business, allying himself with auteurs like Roger Watkins, Ron Sullivan, Gerard Damiano, the Amero Brothers, and his most famous collaborator Chuck Vincent. Vincent’s films exhibit a glossy and professional look that benefit greatly from Revene’s solid work ethic and artistic eye for composition and lighting. Revene eventually struck out on his own, directing his first film Fascination in 1980 and continuing to direct roughly one film a year for the remainder of the decade in-between a wide variety of photography assignments. Revene’s films told breezily comic stories featuring engaging characters and an infectious sense of fun. Talents like his naturally graduated to the commercial world, where he continues to work as a sought-after cinematographer.

Legendary Director, Larry Revene, on set of a Bob Wolf Production.

Legendary Director, Larry Revene, on set of a Bob Wolf Production.


Original Radio Spots on 1/4 inch tape stock, a very rare collectible from the Distribpix Archives

Original Radio Spots on 1/4 inch tape stock, a very rare collectible from the Distribpix Archives

Original Press Books for Through The Looking Glass

Original Press Books for Through The Looking Glass

Original Pres Books for Take Off

Original Press Books for Take Off


Barbara Broadcast Official Video Update- rendering Now & Collectibles!!

Things are moving along here at Distribpix, slowly but surely. All details for the Barbara Broadcast release have been finalized and I threw together a fun Video Update for the occasion. In the coming days, the Official Press release will follow, as well as some other great surprises. Oh and here are a few goodies!!

Various Newspaper Ads!!

Various Newspaper Ads!!



Various Campaign Art!

Various Campaign Art!

C.J.  Laing and Annette Haven

C.J. Laing and Annette Haven

Naked Came The Hoax…..A Brief History

“Naked Came the Stranger,” Penelope Ashe’s torrid novel of adultery and revenge, exploded onto the literary scene in the summer of 1969. Ashe, a “demure Long Island housewife,” regaled every television and radio show host who would listen to her with tales of how she brought the sultry page-turner to life.

The literary establishment was scandalized, both by the explicit and pervasive sexual content and by the poor quality of the writing itself. The book-buying public didn’t care. “Naked” shot to the top of the bestseller lists, blazing through its initial run of hardcovers in a matter of weeks.

Then on September 1, 1969, the David Frost Show introduced its guest for the evening, “Penelope Ashe.” As the orchestra struck up a rousing rendition of “A Pretty Girl is Like a Melody,” nineteen men filed onto stage, single file. The hoax was revealed and a media firestorm ensued.

“Penelope Ashe” did not exist. Hoax-ringleader Mike McGrady’s sister-in-law played the role for the press and a cadre of 24 Newsday writers (19 men and 5 women) had written the book. Each had provided a chapter without any knowledge of what the others had written, under strict orders to avoid character development, plot advancement, and quality writing at all costs. Chapters deemed too high in quality were rewritten. A two sex-scene minimum per chapter was rigidly enforced.

McGrady, incensed that poorly-written sex novels like “Valley of the Dolls” topped the bestseller lists while talented writers languished in obscurity, had set out to prove a point. Choose a sexy title, slap a naked woman onto the front cover, fill the pages with explicit sex, and the novel would sell. Any novel. Even if the writing was terrible, the plot non-existent, and the style a mishmash of two dozen different authors. He made his point in spectacular fashion.

When Radley Metzger brought the story to the screen half a decade later, he kept the title, the character names, the episodic structure, and the basic plot. But he jettisoned the hackneyed dialogue and poorly-written encounters, replacing them with his trademark clever staging and sparkling wit.

It was now the Newsday writers’ turn to be shocked. Metzger invited them to the premiere, and many took up his invitiation, bringing along their wives, blissfully unaware that they were about to watch a hardcore film full of unsimulated sex. “I donít know what they were expecting,” Radley shrugged, “the theater where it played was the most prestigious house of porn in America.”

Nevertheless, the movie was a hit, dethroning “Monty Python and the Holy Grail” to top the New York box office. Radley rode the wave of success to bankroll his next film, the ambitious and remarkable “The Opening of Misty Beethoven.”

For all the sordid details of the “Naked Came the Stranger” hoax, quotes from the participants, the backstory of Radley’s adaptation, and more, check out film historian Benson Hurst’s incredible writeup in the DVD’s 40-page liner notes booklet.