In the Flesh – A Powerhouse Film Series

In the flesh at Anthology Film Archives Dec 5-8th, 2013


The first of many “In the Flesh” series had ended  Sunday night December the 8th, with the grand finale 35mm print of Larry Revene’s Wanda Whips Wall Street, and many stars were in attendance.The festival was a complete success on many levels. Each night a different person or persons who were involved with each film came out and got to experience the 35mm screenings as well as participate in the Q/A sessions afterward. Each session was more amazing then we even expected, I mean none of us ever expected, brilliant -83 year old composer, Jack Urbont, to bust out with the Bumble Bee Tuna Jingle, which we wrote. More on that later. But anyone, who cared about the golden age 0f erotica and was in the NYC area was there!


The festival started on Thursday night Dec. 5 , where famed composer and lyricist, Jack Urbont, was on hand to discuss his role in Danny Steinman’s, High Rise, 1973. This film is about a woman(Tamie Trevor) who goes on one of the most amazing apartment hunts in NYC history. The film features a stand out performance by adult industry veteran, Harry Reems, where he, a model train set and Tamie Trevor all share in on the fun. There is also in insanely erotic  threesome,featuring Jamie Gillis, and not too mention that over the top climax– a 20 minute orgy scene, with some great cinematography and editing. One of the best of 1973.

The 35mm print was in decent shape, and was UNCUT. There was laughter and the crowd was around 75-80 people. It was wonderful to see on the big screen. Before the film, a trivia session was performed were movie related questions were asked and the correct answer earned some really great golden age ephemera, like original press books, posters and even original 1/4 inch radio spots.

Afterward, there was a Q/A session with Jack Urbont-How was he involved? Why was he chosen?etc, etc, etc. He answered all of this and much more. First and foremost he brought a bunch of wonderful guests with him, including his wife, and he mentioned how proud he was of the job he did on the film so many decades before. The music is solid and it holds up. Jack also mentioned that the way he intertwined the theme of High Rise throughout the film was his biggest challenge and biggest success. He went on to let the audience know just how famous he was and it sort of stole the show. All of a sudden the patrons who stick around for the Q/A, including myself, were mesmerized with all of his musical conquests. Besides the fact that his father was a musician, he was clearly driven to let his music pave the way for his success. His resume reads like a “best of’ list of jingles and tunes from all the shows we grew up with. Don’t believe me? Have you ever heard the Soap Opera The Guiding Light? What about Mission Impossible?What about the Surperhero themes we all grew up with?The Hulk? What about Iron Man?How about that old famous Bum-Bum-Bum-Bum-Bumble-Bee Tuna? Well, he wrote them all and so much more. That is really just the tip of the ice berg and what I was able to remember off the top of my head.


High Rise, Original certificate of X Rating.

High Rise, Original certificate of X Rating.

Jack was very friendly with Herbert Steinman, Imago Films, and through Herbert, Jack met his son Danny. Danny Steinman was shooting this incredibly wacky and possibly ahead of its time film, in the apex of the Deep Throat Explosion and he needed someone to helm the music. Jack was friends with Herbert, he was also incredibly talented and the composer was found. He worked closely with Danny and was able to have the total freedom of playing with the theme and making it fit with each mini-segment of the film. The film itself plays like mini scenes and each one has a different theme, so the same music is used, but in way that is so sophisticated, it has not been done ever before. And remember this is not canned or library music, but original music and lyrics, composed specifically for this theatrical motion picture.

After the film ended, Jack was particularly impressed with his job, mainly in the sense that it has been decades since he has even seen the film and he still thinks the composition is sophisticated and even with his youth was produced with much professionalism. He also specified that they musicians that he was working with ,were the real deal, and had chops to prove it. He even mentioned it would be something that he would like to potentially revisit in the future. One thing for sure about Jack Urbont, is that he loves what he does and that is so refreshing.

Distribpix Man (Steven M.), Composer- Jack Urbont and Curator-Casey Scott

Distribpix Man (Steven M.), Composer- Jack Urbont and Curator-Casey Scott

Thankfully, we will be able to capture more of the magic of Jack’s life and his experiences in the film, when we do our commentary and interview for the  re-release of the brand new scan from the negative. This is slated for a 2014 release and will have a remastered soundtrack as well!

HIGH RISE(1973) Hilarious and underrated classic telling the story of a girl looking for an apartment in the Big Apple. Top production values provided by Danny Stone (“Friday 13th”), with highlights including Harry Reems and a model train set, an extremely erotic lesbian threesome, and an 20 minute climactic orgy featuring the best adult film theme song ever. Featuring Jamie Gillis and Tamie Trevor.



The second night of the festival was to be all about Jonas Middleton’s, 1976, horror and sexually charged thriller, Through The Looking Glass. It is possibly the most sought after cult film of the golden age erotic filmmaking, but this one also has a soft or ‘R’ version. I have met with Jonas before and after contacting Middleton on a whim, he was more than wiling to fly into NYC and be involved with the screening and Q/A session to follow. We all met for a Ukranian meal a few blocks from Anthology and it was quite pleasant. Afterward, we headed into the theater in the rain and wet snow, but made it just in time for the screening to begin. His fiance was so gracious to allow me to share her umbrella with her. Both of them were dressed for success and it certainly showed.

As usual we did the trivia for the night. the items given away were TTLG DVD, posters, press book and most amazingly, an original radio spot on 1/4 tape. Jonas came up and introduced the film, he was so gracious and very poised.

The attendance was the highest for this night with approximately 120 patrons, lots of good energy. We knew it would be a good draw, as the films has roots in both Horror and Adult film communities. The characters, the plot and the music are tops notch, just like the other films in the series. For example, the composer for TTLG, was the same composer who worked on Friday the 13th, Henry Manfredini, and the similar string arrangements can easily be heard. The print was again totally complete, but had it fair amount of fade and splices.

The film concluded with a Q/A session between the director, Jonas Middleton and the curator of the series, Casey Scott. It was a very informative conversation. Many topics were covered, including the fact that Jonas is a recovering alcoholic, and has also taken god into his life in a very serious manner. He is a devoted Christian. He is not ashamed, but rather proud of his short stint in adult films. He also explained a bit more about is mindset and his intent fro making this film. He specified that he really wanted people to pay attention to the underlying themes of the film, sex, taboo, desire and consequence.

Jonas seems very excited to continue to work on the re-release of the film and we are in the process of working on details for the best possible restored release of this epic film. Since Jonas, has particular interest in the ‘R’ rated version, it will also be receiving a full restoration, and not just a transfer. This will possibly allow Jonas, to find some new and interested mainstream outlets for the film.

From Left to Right: Casey Scott, Steven Morowitz, Jonas Middleton, Joe Rubin.

From Left to Right: Casey Scott, Steven Morowitz, Jonas Middleton, Joe Rubin.

THROUGH THE LOOKING GLASS(1976) Cult film par excellence, successfully blending adult and horror cinema into a legendary package. One of only 3 films made by the mysterious Jonas Middleton, “Through The Looking Glass” shows the descent of a beautiful rich socialite (Catherine Burgess) into a surreal, sexual hell. Featuring a career-best Jamie Gillis, the ever wonderful Terri Hall.



Saturday night was again another stellar event. The film was Take Off and our special guess was legendary director, Larry Revene. Larry did not direct this film, but he was on the second unit and also took a mass amount of stills from the set, all of which are in my possession.  Many cast and crew showed up for the screening and it was a pleasure to welcome them all. Make-up artists, costume, music and actors- they were all there, it was very exciting and they were all proud to see their work on the big screen after all these years.

Trivia again was very special as original posters, press books and original radio spots were given away as prizes.

The Q/A was a bit leisure and ended up being a very welcome free for all, where many were standing up, yelling out questions, etc. It was really great and Larry just went with the flow.

After the Q/A there was a very nice vibe in the upstairs lobby of the theater where many of the cast and crew were able to catch up on lost time and reunite.


One of the biggest surprises of the night was that legendary adult industry veteran, Carter Stevens, came in to see the film, all the way from the Poconos. It was amazing to meet him after all these years and the fans were equally excited. I think he had fun.

L to R: Distribpix Man with Legendary Adult Industry Veteran, Carter Stevens(Mal Worob).

L to R: Distribpix Man with Legendary Adult Industry Veteran, Carter Stevens(Mal Worob).


(1978)One of the greatest adult films of all time. Superlative on every level, Armand Weston made a stunning visual treat that looks as fresh today as it did 30 years ago. The film is plot heavy, starting in the 1920s and following the hero’s escapades decade by decade through the 1970s. Starring Georgina Spelvin, Annette Haven & Leslie Bovee.



Then came the snow. Sunday night was the last night of the series and another storm of wet rain and snow hit the city. I was cold and windy, and kept a few people from coming out, but all in all, the outcome was very solid. The film for this night was Wanda Whips Wall Street,1982, a very witty and well shot film, with director Larry Revene in person, along with lead actress, Veronica Hart ( Wanda). Veronica was actually a surprise guest who flew in last minute to be a part of the series. Her presence lit up the event. The print itself was in very good condition, and Larry was thoroughly impressed with how the film has held up after all these years.

Original VHS Box Art elements, from the Distribpix Archives.

Original VHS Box Art elements, from the Distribpix Archives.

The trivia was quick and we introduced Larry and Veronica( Jane Hamilton), the crowd was very pleased with them both. The film went off with a theater full of laughter, some great music and lots of one liners. It is one of the co-sponsor’s, Joe Rubin’s, favorite films of the genre, so he conducted a thorough Q/A, which soon took on a force of it’s own. As with previous nights, many of the films cast and crew were in attendance, and on this night, the screenwriter, was gracious enough to show up with his wife and he even got involved with the Q/A, he just came right down the stage and grabbed the mic, it was gold. They all spoke of the film, Chuck Vincent, Editing and other topics. Afterward, there was a very long line of people waiting to see Larry, Jane and all the others.

L to R: Joe Rubin, Larry Revene, Jane Hamilton- Wanda Q/A

L to R: Joe Rubin, Larry Revene, Jane Hamilton- Wanda Q/A

L to R: Veronica Vera, Larry Revene, Veronica Hart, Candida Royalle

L to R: Veronica Vera, Larry Revene, Veronica Hart, Candida Royalle



It was an amazing night. Many of Jane’s friends had come out to the event as well. I got to finally meet Candida Royalle and spend some time with her, as well as reacquaint myself with Veronica Vera. Many people had said that it felt like a class reunion of the golden age.


Wanda Whips Wall Street(1982)

This is the first adult motion picture to probe and expose the sexy and exciting world of Big Money. Wanda, played by Veronica Hart, sets out to gain complete financial domination of a major securities firm. She uses methods both illegal and immoral in her quest for more of the corporation’s stock. Also starring Samantha Fox, Sharon Mitchell, Jamie Gillis.

Wanda Whips Wall Street is directed by Larry Revene, who was not only an excellent director in the 80’s, but has a tenure that goes back to the early 60’s, and continues through today, 2014. His early adult work began, when he helmed the camera for Bob Wolf and made many of the first loops in NYC, during the second half of the 1960’s. He also went on to continue to shoot for Wolf Productions on actual mini features or shorts. He became an incredibly pivotal part of the golden age of erotica in NYC, throughout the 70’s and 80’s, as a cinematographer, director, still photographer. He is certainly very well known for working with Chuck Vincent, of Platinum Pictures. Without going into great detail, Larry was literally one of the ‘GO TO” guy for the majority of directors of the day, from the Amero Brothers, Ron Sullivan, Armand Weston and others. He was a true professional and he got the job done. As the golden age came to end, Larry’s career and love for filmmaking continued to thrive, let’s just say it is in his blood. from Viet Nam to Iraq, Larry has been filming all over the world, he continues to make feature films as well as documentaries. Larry is an accomplished artist and painter as well. His work and his life are both full of absolutely incredible experiences, they are ones that books are written about, and that is just what Larry has done. He recently finished his first book, which is essential reading for any true fan of the golden age of erotic filmmaking.

Larry had copies of his books on hand and he sold quite a few of them, and signed them as well.  Please do yourself a favor and grab your copy today.


All in all, In the Flesh ,was a total success, and the best part was being able to gather after each night and go out with a group of people for a few drinks, laugh and have some fun.  I got to meet dozens of Facebook friends, and make new acquaintances. In fact, the conversation I had with Larry, over several pints of Blue Moon, after the Take Off screening, was one of the best times I ever had.That is what I will remember most about this series.

Adult Industry Legends, Carter Stevens(R) and Larry Revene(L), reuniting at Anthology Film Archives

Adult Industry Legends, Carter Stevens(R) and Larry Revene(L), reuniting at Anthology Film Archives

Jane Hamilton and Larry Revene.

Jane Hamilton and Larry Revene.

Classic NYC Erotica on 35mm at Anthology Film Archives

In the Flesh at Anthology Film Archives Dec 5-Dec 8, 2013 at 8 pm.

In less than 48 hours Anthology Film Archives  in NYC, will be hosting In the Flesh, a film series which focuses on classic erotic films from the golden age. Curated and organized by film historian, Casey Scott, this is the first run of the series and it is certainly going off with a BANG! The series is scheduled to be 4 nights, 4 films ( one each night), and each night will have at least one or more guests that will help to give the film some historical context. The four films chosen are all East Coast films and all from the Distribpix Archives, and each one is as good as the next. Each night will also have some very entertaining 35 mm trailers from the Distribpix vault.

Lobby Posters at Anthology Film Archives.

Lobby Posters at Anthology Film Archives.

The series is beginning with a very strong line up of NYC staples: High Rise with Music Composer Jack Urbont in person, Through The Looking Glass with director Jonas Middleton in person, Take Off with set photographer Larry Revene in person, Wanda Whips Wall Street with director Larry Revene in person, special guest Scott Baker and mystery guests as well. The guest will be introducing each film and will also be on hand to participate in Q/A session to follow each film. There will also be some fun trivia for prizes, which include DVD’s, posters, press books and more.

It is going to be a very special series and I am very happy to be involved. It is obvious that general interest in classic erotic cinema has been on the rise in recent years. Retro as a whole has made a huge comeback since 2010, but there is no doubt in my mind that the dedication to preserving the films in High Definition and bringing them back to life has fueled the resurgence. Running a film archive is a non stop job and it can be very tedious, so to be able to see these on the big screen is a huge reward.

There have been many email responses to the series and we expect to have a wonderful mix of fans and experts at the theater during the screenings. I have a feeling that it is going to be a very special series and I really hope to see you there.


DEC 5th – HIGH RISE, 1973 directed by DANNY STEINMANN:

Hailing from a show business family background, Danny Steinmann started his directorial career shooting commercials in Puerto Rico and soon returned to New York, where he continued successfully producing, directing, and editing toy commercials. Seeing the success of Gerard Damiano’s Deep Throat in 1972, Steinmann decided to attempt to make his own profitable adult film, resulting in High Rise, now considered the first comic masterpiece of the X-rated genre. For a first time director, High Rise is an impressive debut, filled with visually stylish flourishes and clever comic scenarios. The film’s success, however, did not lead to further ventures in the hardcore realm. In fact, Steinmann would not return to the director’s chair until 1981, when he helmed the sleeper horror classic The Unseen. Its success led to the two most famous films of his career, Savage Streets (1984) and Friday the 13th Part V: A New Beginning (1985). To his dismay, the horror sequel would be his last film as a director. Steinmann was finally receiving his due credit as a director and connecting with his fans at film conventions when his life was unexpectedly cut short in 2012.

High Rise Movie Poster at Anthology Film Archives, facing 2nd avenue.

High Rise Movie Poster at Anthology Film Archives, facing 2nd avenue.

Dec 6 – Through The Looking Glass, 1976 directed by JONAS MIDDLETON:

Hailing from the great state of Georgia, Jonas Middleton made one great big, but brief, splash in the adult film genre of the 1970s. Following his low-budget debut, Cherry Blossom (1972), Middleton’s next film, Illusions of a Lady (1974), hinted at the director’s storytelling talents that would be demonstrated in full force with his final and best X-rated film, Through the Looking Glass (1976). The worldwide success of the film did not interest him in continuing to make adult films. His next film project, the sleeper horror hit Just Before Dawn, would be his last before moving into the world of finance for much of the 1980s. Middleton returned to the entertainment industry in 1994, when he began producing instructional videos, and in 2000 he successfully entered the video game business. Today Middleton continues to produce thought-provoking independent features.


Cherry Blossom and Through The Looking Glass, directed by Jonas Middleton

Dec 7 – Take Off, 1975 directed by ARMAND WESTON:

A director who came to the film world from a background in commercial illustrating and artwork, Armand Weston is one of the adult genre’s legendary auteurs with the smallest oeuvre. All of his films are established classics, from his very first collaboration with future fellow legend Cecil Howard (1972’s Personals) and continuing into his dark noir-ish thrillers, The Defiance of Good (1974), The Taking of Christina (1975), and Expose Me, Lovely (1976). Weston was also the first director to shoot a feature directly onto the new video format with 1977’s Blue Voodoo. But his most lavish and arguably finest adult film must be his swan song to the genre, Take Off (1978), a sprawling epic following the sexual adventures of Darrin Blue, who stays forever young through the magic of an enchanted stag reel. When he wasn’t making films, Weston was designing the beautiful and eye-catching poster art and ad campaigns for the adult film classics of his contemporaries. He made one more film, the unusual horror film The Nesting (1981) with Gloria Grahame, before his untimely death in 1988.

The Nesting, Oil on Canvas, by Armand Weston.

The Nesting, Oil on Canvas, by Armand Weston.

Dec 8 – Wanda Whips Wall Street, 1984 directed by LARRY REVENE:

A true jack of all trades, Larry Revene started his career at the very beginning of the “golden age” of adult cinema and continued to its eventual conclusion with the onset of video production. Revene got his feet wet shooting loops for notorious producer Bob Wolf and was soon serving as photographer and editor for a variety of projects in both the X-rated and commercial industries throughout New York City. He developed a reputation as one of the most talented and visually inventive photographers in the business, allying himself with auteurs like Roger Watkins, Ron Sullivan, Gerard Damiano, the Amero Brothers, and his most famous collaborator Chuck Vincent. Vincent’s films exhibit a glossy and professional look that benefit greatly from Revene’s solid work ethic and artistic eye for composition and lighting. Revene eventually struck out on his own, directing his first film Fascination in 1980 and continuing to direct roughly one film a year for the remainder of the decade in-between a wide variety of photography assignments. Revene’s films told breezily comic stories featuring engaging characters and an infectious sense of fun. Talents like his naturally graduated to the commercial world, where he continues to work as a sought-after cinematographer.

Legendary Director, Larry Revene, on set of a Bob Wolf Production.

Legendary Director, Larry Revene, on set of a Bob Wolf Production.


Original Radio Spots on 1/4 inch tape stock, a very rare collectible from the Distribpix Archives

Original Radio Spots on 1/4 inch tape stock, a very rare collectible from the Distribpix Archives

Original Press Books for Through The Looking Glass

Original Press Books for Through The Looking Glass

Original Pres Books for Take Off

Original Press Books for Take Off

Radley Metzger’s, Barbara Broadcast -All the Details of the Blu Ray Combo Pack and DVD Set!!

Some of the Fine Details and some random comments, maybe not in that order.

A word about Barbara Broadcast……..

Well it is already the second week of July and the summer is cruising past. Without a doubt, this Barbara Broadcast rebirth has been tough and long, not unlike Misty. As things progressed with this entire project, my intent on making things as good as they could be became as strong as ever, and I think that is the nature of trying to always do the best you can. From the beginning of this restoration it was clear to me that I wanted to have fun with it, but also take the nature of the restoration very seriously, and the history, packaging, etc, of course. Misty was such a huge project and a huge success, and I was so burned out on it, but really did not take any rest, if anything things got crazier, literally for several months. I think I can relate to the way Radley Metzger aka ‘Henry Paris’ described feeling when he finished 12 grueling weeks of editing The Opening of Misty Beethoven, he was tired, he was burnt out and he needed a break from the monotony. Thankfully for all of us, that break turned out to be Barbara Broadcast.

Instead of globe-trotting over 3 countries and 2 continents and shooting and editing for months, Metzger took the opposite approach and went with the flow. And during the first week of August 1976, Metzger and his crew gathered in midtown Manhattan to film Barbara Broadcast, a shoot that would only last one week and not leave the confines of the Big Apple.

But what was it about that one week in August 1976? That one very hot week. There was heat from all the lights, heat from too many crew members packed in one small space, heat from the eroticism portrayed throughout the film. What happened during this week in August 1976, would forever transform the landscape of erotic films. It would raise the bar yet again,and re-establish the fact that a thin story, can still be a masterpiece. Barbara Broadcast was created.

The fact is that Henry Paris was so hot. He was reaping the ongoing success of The Opening of Misty Beethoven and he was so popular, and literally straddling the apex of the porn-chic era. It was almost too successful and the public, the fans, well they just wanted another Henry Paris film and that is exactly what Radley gave them. Not even %100 clear, why he titled the film Barbara Broadcast, Radley Metzger has said on a few occasions, something to the affect that ” It almost didn’t matter what I made, I just needed to make another film”. Maybe it was this attitude, and the lack of hard core pressure, as compared to Misty Beethoven to get this film produced. Maybe it was a perfect storm, but one thing that is clear, this is a wonderful film, and I am thankful to have been able to restore this classic, to look and feel as it did when it premiered.

Things are stating to wrap up over here on the Barbara Broadcast project, but we are not out of the woods just yet, really the work is just beginning. But the physical elements, artwork and packaging, Blu ray and DVD are all in one stage or another of physical production and things have been trickling in. It has been a big project for me as for personal time invested as usual, but more importantly the financial burdens in taking on a project like this, is really tough. So much needs to be made and created, and that cost money. Even if you are an engineer and are the best at what you do, unless you own printing presses, replication factories and such, sometimes one must lay out tens of thousands of dollars. With all of that said, Barbara is turning out to be my favorite package to date. But as much as I love it, I need to sell it, so pre-order, or just order when it comes out. It is a total collectible, and if it sells as well as I think it can, than I will be very seriously considering taking the rest of the Henry Paris titles to Blu Ray.

Thank you all for you support throughout these long projects.

I do want to take a moment to say thank you to all the people that were involved in creating this epic package, especially my team of experts around the world, from historians, to narrators, to film experts, to language translators- you guys made this happen- without you, it would not have turned out such a success. And I hope many of you will enjoy what we have done to Barbara Broadcast for decades to come and we hope we did right by future generations.

Barbara Broadcast Collector's Edition 2 DVD Set

Barbara Broadcast Collector’s Edition 2 DVD Set

Barbara Broadcast Blu Ray Plus 2 DVD Combo Pack

Barbara Broadcast Blu Ray Plus 2 DVD Combo Pack



Extras for this one were challenging, but fun, A but lighter than the misty package for sure, but just as ambitious.


Director Commentary with Radley Metzger- Full Length Audio commentary. Again, maybe the best, although I always say that, candid discussion between Adult film historian Benson Hurst and legendary director Radley Metzger, who clearly have a chemistry that is infectious, as they discuss these films. (82 min) DVD and BLU

Radley Metzger on the set of Barbara Broadcast

Radley Metzger on the set of Barbara Broadcast

Actor Interview/Commentary with Michael Datorre- This is where I traveled about 3 hours north into the Catskill Mts of NEW YORK, and Michael treated me to a day of storytelling and laughter, which is wonderful and he speaks of everything from his days growing up in NYC, to his early love of theater, to the adult biz and of course Radley and Barbara Broadcast. ( approx 40 min)- DVD ONLY



A TRIBUTE TO THE PLAYERS- This feature takes a brief look at the lives of 4 of the actors on Barbara Broadcast, Annette Haven, C.J. Laing, Bobby Astyr, and Suzanne McBain. Written by Benson Hurst and colorfully narrated by Michael Datorre. The short is illustrated with rare outtakes, slides, contacts and other rare footage. (approx 20 min) – DVD ONLY

DVD MENU GRAB- A Tribute To The Players

DVD MENU GRAB- A Tribute To The Players

The Making of Barbara Broadcast – is a summarized look at the making of the film, again rare outtake footage and never before seen contact sheets from the set are used to illustrate this totally unique look back at the Olympia Ballroom. The script was written by myself and Ian Culmell, who did the majority of the proofing. It is narrated by voice over powerhouse Jerry Lentz, who adds a nice touch to the overall feel. It is not very long, but very informative and should keep ones attention throughout. (approx 16 min)DVD ONLY

DVD MENU GRAB- The Making Of Barbara Broadcast

DVD MENU GRAB- The Making Of Barbara Broadcast

RADIO SPOTS-Something which I am really excited about and we heard a taste, was that Radley had found some never before transferred Radio Spots, which are some of my favorites and we have been archiving quite a bunch in general. But for Barbara, I decided to transfer them on the Nagra, and they are clean and simply awesome, there are about 4 or 5 original ones, and are added to the rest of the Henry Paris Radio Spots.(approx 7min)DVD and BLU

DVD MENU GRAB- Original Henry Paris Radio Spots.

DVD MENU GRAB- Original Henry Paris Radio Spots.

THE OUTTAKES-, an extension of what was done with Misty Beethoven, essential scoured the outages that were transferred, some in HD, some in SD, and began to assemble a nice collection of silent outtakes from the scenes of Barbara. Coming in at 35 min, it is hefty in value, but really only a short taste from each scene, set to theme music from the film. These have never been see before and are the outtakes to the scenes in this film, I think for the true collector, this is probably the most valuable, along with the commentary. (approx 35 min) DVD ONLY

DVD MENU GRAB - Outtakes From The Vault.

DVD MENU GRAB – Outtakes From The Vault.

THE ORIGINAL HENRY PARIS TRAILERS- ALL 5 of them- transferred in HD from the negatives- The Private Afternoons of Pamela Mann, Naked Came The Stranger,The Opening of Misty Beethoven, Barbara Broadcast, Maraschino Cherry (approx 20 min) DVD ONLY. The Blu ray has the original theatrical trailer only.

DVD MENU GRAB - All 5 Original Henry Paris Trailers, transferred in HD

DVD MENU GRAB – All 5 Original Henry Paris Trailers, transferred in HD

Rare Slideshow/ Vintage Ephemera Gallery- this is a collection of rare slides and images from the Audubon archive, all original and for the most part scanned by me for the first time. I went through literally hundreds of scans and scoured the folders of Barbara paper ephemera, like old newspaper ads, and letters from reviewers, ad mats, etc. It is a nice walk down memory lane with images of Barbara Broadcast. DVD and BLU.

DVD MENU GRAB - Rare Slideshow and Ephemera Gallery- Never before seen images

DVD MENU GRAB – Rare Slideshow and Ephemera Gallery- Never before seen images

And I also want to mention that everything was made from scratch for the most part, both packages have custom designed disc menus, that carry the new theme and concept thoroughout, both the DVD and BLU.

And continuing in our tradition of multi- language Henry Paris releases, Barbara Broadcast too has 6 language tracks for both the hard and soft version, not too mention a wonderful FILM FACTS trivia track on the Hard version , which is so full of facts, it is mind blowing, I highly recommend it.

THE HARD GOODS: (what is in the box?) Liner notes, extras

As for the hard good is concerned- and continuing with my love and tradition of concept and the hard good, this one may top them all off. I have created for both the DVD and BLU package, totally unique packaging, embossed and detailed O card will make sure Barbara stands out among the collector’s thousands of DVD/and Blu Ray’s.


And maybe my favorite extra and one that gives me the most joy in producing or assembling, is the liner note books we have become known for printing. These notes, give us a chance to tell the story of the film, give some history. And as for the book, it is a 28 page book, and it is my favorite one to have worked on to date. It has contributions by some of the very best out there, like the history by adult historian Benson Hurst, a page on the music by Ian Culmell, a letter that reminisces about a BB experience from an anonymous fan, calling himself Storm Rider, and an original mini-comic illustration by artist, comic book creator, and writer, the multi talented Robin Bougie.

I like to produce things and bring people together, I can write the history as well, but no nearly as good as some others. So I like to surround myself with people that are much better than me or can do it much better than me. I like to bring it all together and lay it out and make sure it entertains, I think that this book does just that.


Both packages come with embossed O card packaging, double sided box art, photo card insert collectible, double sided custom bookmarks, – ALL LIMITED.


Bill Lustig’s Annual Film Festival at Anthology

This Friday (the15th), my annual “William Lustig Presents” film festival kicks-off at the Anthology Film Archives in NYC (32 Second Avenue corner of East 2nd Street):

10 Days of action, Brit underworld, Bad NYC Cops, spaghetti westerns, heists, suspense, car chases – cool genre films during hot summer nights! Most unavailable on DVD, many never been available on ANY home video format! Also, I’m working on surprise guests and talent Q&As!

Since the studios have started their burn-on-demand DVD lines, finding obscure, overlooked films will become more difficult. So, we look forward to you and your friends joining us in what might be the final year of this kind of programming. I promise, it’s going to be fun!

Please forward this email to ALL your friends.

Bill Lustig

Pamela Mann HD Screengrabs

A report from the lab….so we have some new and beautiful screen shots from the recently transferred, “The Private Afternoons of Pamela Mann”. Overall, this transfer was very successful. The film looks better than it ever has. The colors have come back to life, and the old VCA version, is virtually unwatchable, when compared to this new HD transfer. Not only was the VCA release butchered, but the color and sound are totally fucked! Anyway, the difference to the film itself and the addition, of all previously cut footage, is reason enough to buy this one. But the truth is that this is our most ambitious project to date, and it has just about everything but the kitchen sink. This will go down as being one of the most spectacular classic adult film packages ever produced, and it looks like this will be ready in late Spring.  I will lay out a few of the details below:

*Pamela Mann hard version, uncut, transferred in HD ( all previously deleted footage is intact)

*Pamela Mann soft version, uncut transferred in HD( unique version, never before seen footage)

*Pamela Mann hard trailer

*Full length director commentary with Radley Metzger

*Over 75 original and never before seen slides

*Ephemera Gallery ( news articles, photos, etc)

*Interview with star of film Georgina Spelvin( Georgie)

*Interview with star of film, Eric Edwards ( Frank, the private detective)

*Multiple Documentary Featurettes( Locations, Externals, Life and Times, Music)

*The Deleted Scenes

*Liner note book, written by Benson Hurst, with contributions from our director of music content, as well as another guest writer

And more!!!!!

Details of the Transfer:

THE PRIVATE AFTERNOONS OF PAMELA MANN was restored using the original 35mm blow-up internegative and is presented in its original theatrical exhibition aspect ratio of 1.85:1. The film was scanned in 2K resolution using a Spirit 2K Datacine and the DaVinci Resolve system was used to perform additional color correction and color matching. The film was then backed up on HDD for DVD authoring. The audio was transferred from the 35mm optical track negative and is presented in its original mono form.
PLEASE NOTE that throughout the film there is occasionally a greenish scratch present in the right-most third of the image. This is an imperfection present in the original negative and could not be removed.

Here are some comparisons between the VCA version of Pamela Mann and the brand new HD transfer from Distribpix/Video-X-Pix.

VCA's standard def DVD release

Distribpix HD transfer-click for full size image

VCA's standard def DVD release

Distribpix HD Transfer- click for full size image

VCA's standard def DVD release

Distribpix HD transfer- click for full size image

VCA's standard def DVD release

Distribpix HD transfer- click for full size image

VCA's standard def DVD release

Distribpix HD transfer- click for full size image

I hope you enjoy this update and as soon as we have an exact release date, we will post it on the blog.

Metzger/Hurst record “Pamela Mann’ commentary

Last week, in NYC, Distribpix’s in-house, adult film- historian, Benson Hurst, recorded a full length commentary with legendary director Radley Metzger, for his Henry Paris film, ‘The Private Afternoons of Pamela Mann”. It was a very pleasant recording session…..very private, quiet and easy going.  Benson and Radley discussed many aspects of the first of 5 films, shot by Radley Metzger in 1974, under the alias Henry Paris. The session was a full 83 minutes, the approximate length of the uncut feature.

Benson Hurst, the Brooklyn based adult film historian, will continue to work with the iconic Metzger to record full length commentaries for all of the Henry Paris films. All commentaries will be part of the re-mastered and uncut, Henry Paris films.

The first film “The Private Afternoons of Pamela Mann”, will be released by Distribpix/Video-X-Pix in the Spring of 2011, more details will follow.

After the audio commentary, I took a quick picture with one of my best friends and probably the tallest adult film historian in NYC!! ( I am 5’11)