MISTY BEETHOVEN- THEATRICAL SCREENING- 35 mm PRINT FOUND

EXCLUSIVE NEWS: MISTY BEETHOVEN PRINT FOUND FOR SCREENING!!!

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The screening of  the restored version of The Opening of Misty Beethoven, which is set for tomorrow night at Anthology Film Archives at 9:30pm, will now be an actual screening of a 35 mm print, which is in wonderful condition. The majority of film fans would much rather view a print as opposed to a DVD or BLU RAY, especially in a theater experience/setting. As a matter of fact, I know many who would prefer a beat up print, over a DVD, when it comes to any screening. It is going to be an amazing experience. We are hoping that this last minute news will be more than a surprise and I hope that it brings out a few more.

I will be on hand to introduce the film, along with Process Blue’s Joe Rubin. Joe’s company Process Blue performed the 2 k scan and digital restoration for the entire project. While we will keep our dialog short, we will be there all night long, so please feel free to come over to us and ask any questions or introduce yourself.

Also, we will have limited quantities at discounted pricing of the following:

DVD/BLU RAY/CD SOUNDTRACKS/POSTERS  of THE OPENING OF MISTY BEETHOVEN

I hope to see you all tomorrow night!

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The Opening of Misty Beethoven- 2 DVD set, Dual Layer Blu Ray and CD Soundtrack

This is the ultimate, the tops, the absolute best treatment to any re-release of an adult film. The amount of love and passion that went into restoring the film, the art, the campaign, producing top notch extras, culling and licensing music tracks, etc. We have truly uncovered much of the story behind Misty, and have restored the film to look better than the day it was released theatrically. It has been the most involved project ever taken on by Distribpix Inc. and the DVD and Blu packages, have taken about 6 months, and even longer in cases of the CD, but we are finally preparing to bring all 3 of these epic packages to market!

Sorry for the wait, but like anything that is treated with love and care and passion, it can never be rushed, once you rush, you take the risk of jeopardizing the task at hand. We stuck to our gameplan from the very beginning of the Metzger restorations, and for Misty, we did the same, although we were a bit ambitious in some of our goals, it totally paid off. The idea as many of you know, is to treat these releases with the same gusto as a company like Universal or Criterion, many people say we are like the Criterion of adult and sexploitation, because we treat the films the same way and do even better restorations than some of the majors, and not too mention the extras. Are they the best, most professionaly produced videos ever made, of course not? But they are fucking awesome extras and if you are a fan of learning about a film and you enjoy extras, you are in luck. We have a mix of so much content, it was a very difficult authoring procedure for both the blu and DVD’s- as there are lots of menus and sub menus, but the content is kick ass!!

Remember, if this was just about turning a quick profit, I could have had all of these transferred in HD and put on single economy version DVD-5′s-with no extras, to whore out to the adult market, but anyone can do that, and they do it every day. Where is the fun in that? Where is the challenge? Those guys don’t love film, and they don’t care, it is about a dollar, and that is fine. It works for them. I was in that market for a long time, and it is not a fun place. For the most part, the DVD buyers are clueless, and would not know a Metzger from a Max Hardcore!!

For me, I would rather create something unique, special, and harvest the best package I can to offer the film fans, who enjoy these types of releases- over the top, done with love and care, every aspect of it – right down to the nitty gritty details, it is like you become intimate with the prodcut and borderline obsessed with all aspects of it, no matter how insignificant.

With all of that said, I am proud to say that we are in the final process of production/manufacturing…..material is coming back to the warehouse and project misty packages are being assembled. We are still waiting for the Blu-Ray, which is in production, and it is REGION FREE, as we have customers all over the world and never lock it to any single region.

I am happy and also very burnt out on Misty Beethoven, I love her so much, this film is so amazing. I have literally spent about 5 months straight doing nothing but working on some aspect of Misty Beethoven, hundreds and hundreds of hours(not too mention my partner Ian Culmell, who has a full-time job as well)-(the film transfers, the documentary-scripting, shooting,editing, artwork, weeks of authoring/encoding for Blu-Ray, countless hours of QC, the project misty campaign,etc.). No matter what I will be able to look back at this experience in the future, knowing that I gave it my all and tried very hard, and we think we succeeded on finally showing the world, how a small- independent film company with no funding, can produce amazing packages, on par with other great Hollywood restorations.

If we were able to get some solid and fair distribution channel, we would be able to produce more packages like this, we really enjoy it. But without a firm distribution channel, it is too difficult to balance the profit/loss for a project of this scale. A film like Misty totaly deserves this treatment and quite frankly, so do many other adult films from the golden age of adult filmmaking.

THE OPENING MISTY BEETHOVEN BRAND NEW ARTWORK

We wanted to do something very special for this collector’s edition of The Opening of Misty Beethoven. So we commissioned a local artist, Anthony Palumbo, to create a brand new look and feel for “Misty”. Ian Culmell(creative director at 435 productions) came up with the concept and our first sketches were done in February. After many weeks of going back and forth with the artist, we settled on a gorgeous design, it captures the essence of this great film. We were fortunate to be able to follow the artist through all stages of completion, including a visit to his studio in Philadelphia. The whole process took over 3 months, and the final product speaks for itself. I am so proud of this design, and so happy we were able to connect with Anthony. We treated the box art just like every other aspect of this project, with love, with passion.

The final painting is oil on canvas and it is approx, 27 inches by 40 inches. It is an amazing piece of art!! It was easily transformed to fit into our box art, and is also used for menu creation, posters, t shirts, etc!! We also go into a bit of detail, on  the creation of the box cover and the history of the box art for “Misty” in our Behind the Scenes feature, on the upcoming , special collector’s edition 2 disc set.

Artist’s second sketch based on our concept, Late February.

Philadelphia artist, Anthony Palumbo, in front of work in progress, late April.

Ladies and Gentlemen, I am proud to announce for the first time ever, the brand new box cover art for Radley Metzger’s 1975 classic, The Opening of Misty Beethoven, 2012!!

MISTY BEETHOVEN..RESTORATION-before and after shots

Well they say that sometimes quality will stump quantity and in this case, I can’t argue that. The amount of effort that has gone into this Misty Beethoven restoration has been daunting. We really brought the film back to life. There will be a lengthy feature included as an extra in the release for those who are interested in the entire process. But for some quick satisfaction, I wanted to post some screen grabs from the recent 2k scan and compare them with images from the last and most recent VCA version. I will show the old standard version at 4:3, the raw 2k scan in proper aspect ratio and then the corrected 2k scan, with color correction, scratch removal and proper 1:85:1 aspect ratio.

These are raw file grabs and the 2k scans have been compressed to PRO RES HD FILES SIZE, so you are getting a full 1920×1080. The old version is presented in the improper aspect ratio, and has no scratch removal, color correction, etc. The new HD screen shots are presented in the proper 1:85:1 , which is how Radley shot the film and how it was intended to be seen.

If you notice, many of the raw shots after the 2k scan are very vibrant and in some cases overly colorful. Much of this is due to the magenta overtones, very common in archival film. It is easily balanced and corrected and once a true black level is established much of the color seems to return to normal, as seen in the Corrected HD shots.

Misty Old Version-VCA

Misty Old Version

Misty-Raw Image from 2k scan

Misty-Raw Image from 2k scan

Misty_2k scan-with CORRECTIONS

Misty_2k scan-with CORRECTIONS

Misty_Old Version

Misty_Old Version

Misty-Raw Image from 2k scan

Misty-Raw Image from 2k scan

Misty_2k scan with Corrections

Misty_2k scan with Corrections

Misty_Old Version

Misty_Old Version

Image from Raw 2k scan

Image from Raw 2k scan

2k scan- compressed Pro Res screen grab- 1920x1080- with corrections

2k scan- compressed Pro Res screen grab- 1920x1080

Misty-Old Version

Misty-Old Version

Raw- Pro Res Screen Grab- 1920x1080

Raw- Pro Res Screen Grab- 1920x1080

Final shot, Color Corrected - Pro Res full HD 1920x1080

Final shot, Color Corrected - Pro Res full HD 1920x1080

The Opening of Misty Beethoven-Update and Official Screen Shots

The project continues, So far we have the 2k scans of both the original UNCUT, hard and cool versions of Misty. The hard cut was restored manually and the soft was left alone, it still looks great and has a few scenes that die hards have been yearning for! The Director commentary is taking place this week, with the legendary Radley Metzger. We are currently lining up the various versions of outtakes(scanned in 2k) in our systems, audio synching, as well as editing video featurettes and continuing to shoot footage for the remaining features. Last week we sat down and recorded a wonderful interview with Music Director for many of the Radley Metzger’s film’s, George Craig, part of which will be included as bonus material on the upcoming DVD release. Also we are finalizing the official Misty soundtrack which will be released at the same time. This is going to be amazing, we will keep you posted.

Below are  some random screen shots from the recent 2k scan. As you can see the restoration is gorgeous and as many hoped and wished, the grain is certainly intact. A very unique aspect of this transfer is that we unearthed the fact that Radley Metzger shot this film in both Super 16mm and 35 mm formats. Enjoy the shots!